Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Late in his career, Hiroshige explored the poetic theme of setsugekka , “snow, moon, and flowers,” in a set of three triptychs. This panoramic scene features a river passing snow-covered mountains along the Kiso Road.
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歌川広重画 「東海道五十三次 大尾 京師 三条大橋」|Kyoto: The Great Bridge at Sanjō
東海道五十三次之内 阪之下 筆捨嶺|Saka-no-shita, Fude-sute Mine
Gotenyama no yu-zakura|東都名所 御殿山之夕桜|Evening Cherry Blossoms a
東海道五十三次之内 江尻 三保遠望|Panorama of Miwo Pine Wood from Ejiri
東海道五十三次 程ヶ谷 かたびら橋 かたびら川|Hodogaya
近江八景之内 瀬田夕照|Long Bridge of Seta
日本湊尽 相州浦賀|Uraga Harbor
東海道五十三次之内 金谷 大井川遠岸|Kanaya, Oigawa Em Gan
Yosa Buson (Japanese, 1716–1783) — Snow Landscape
Wu Li (Chinese, 1632–1718) — Pine Wind from Myriad Villages
Kano Motonobu (Japanese, c. 1476–1559) — Rocks and Waves
Bada Shanren (Chinese, 1626–1705) — Landscape after Guo Zhon
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Wen Zhengming (Chinese, 1470–1559) — Playing the Qin in a Se
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Kan Tenju (Japanese, 1727–1795) — Landscape with Gentle Peak
Lu Zhi (Chinese, 1496–1576) — Daoist Retreat in Mountain and
Hirowatari Setsuzan (Japanese, ?-1674) — Mountain and River
Landscape with a Pavilion
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles