Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A court painter during his early career, Goya produced prints with comparatively little political subtext after his famed predecessor Diego de Velázquez. Isabella de Bourbon, the wife of King Phillip IV of Spain, is depicted riding sidesaddle in this portrait based on a 1635 painting in the Museo Nacional del Prado, Madrid. Intended to be paired with a companion image of Philip, the print faces the same way as the panting, showing Isabella enjoying a secure seat, elaborate trappings, and an expensive horse.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Franc
Goya (Francisco de Goya y Lucientes) — Isabel of Bourbon, Qu
Velázquez (Diego Rodríguez de Silva y Velázquez)|Margaret of
Stefano della Bella — Polish Horseman
Stefano della Bella — Hungarian Horseman
Stefano della Bella — Polish Horseman
Joseph Marie Vien, I — Sultane Reine, plate 29 from Caravann
Auvrest — Equestrian Portrait of Napoleon
Stefano della Bella — Polish hussar in profile facing right
Carle Vernet — Royal Guard, Norman Mounted Light Infantryman
Anonymous, French, 18th century — Portrait of Maria Theresa,
Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Franc