● On view now — Gallery 215
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The third scene from Giovanni Battista Tiepolo’s four-part suite of decorations , this painting shows the emotional climax of the story. The knight Rinaldo has been persuaded by his companions, Carlo and Ubaldo, to renounce the love of the sorceress Armida. Bareheaded and pensive, Rinaldo has taken up his shield again and appears to hesitate as the older knights gesture toward the boat that will carry them back to the crusader army and Armida implores him to stay.
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The Glorification of the Barbaro Family
Rinaldo and Armida in Her Garden
Armida Encounters the Sleeping Rinaldo
Study for "The Martyrdom of Saint Sebastian" (for the August
Rinaldo and the Magus of Ascalon
The Adoration of the Magi
De Onbevlekte Ontvangenis (Joachim en Anna ontvangen de maag
Allegory of the Planets and Continents
Laurent de La Hyre (French, 1606–1656) — The Kiss of Peace a
Gerard de Lairesse — Mercurius gelast Calypso om Odysseus te
Corrado Giaquinto — Medea Rejuvenating Aeson
François Boucher — Shepherd's Idyll
Gaetano Gandolfi — The Sacrifice of Iphigenia
Giovanni Antonio Pellegrini — Bacchus and Ariadne
Charles Meynier (French, 1768–1832) — Telemachus, Urged by M
Stefano Pozzi — Antiochus Yearning for Stratonice
Francesco Fontebasso — Satyr with Club and Seven Figures, fr
John Flaxman (British, 1755–1826) — Paris and Oenone
François Boucher — Jupiter, in the Guise of Diana, and Calli
Jacob de Wit — Jupiter, Disguised as Diana, Seducing the Nym