● On view now — Gallery 215
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this second of the four large paintings from Giovanni Battista Tiepolo’s sequence illustrating the story of the crusader Rinaldo and the sorceress Armida, Armida has abducted Rinaldo and carried him away to her magical garden. She looks into a magic mirror while the knight sits enthralled, gazing into her eyes, his sword and shield cast aside. Meanwhile, Rinaldo’s two companions, Carlo and Ubaldo, appear at the garden gate to persuade him to return to their quest to seize control of Jerusalem.
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The Glorification of the Barbaro Family
Armida Encounters the Sleeping Rinaldo
Study for "The Martyrdom of Saint Sebastian" (for the August
Rinaldo and the Magus of Ascalon
The Adoration of the Magi
De Onbevlekte Ontvangenis (Joachim en Anna ontvangen de maag
Allegory of the Planets and Continents
Virgin and Child with Saints Dominic and Hyacinth
Giovanni Antonio Pellegrini — Bacchus and Ariadne
Laurent de La Hyre (French, 1606–1656) — The Kiss of Peace a
Sébastien Bourdon — A Classical Landscape
Corrado Giaquinto — Medea Rejuvenating Aeson
François Boucher — Jupiter, in the Guise of Diana, and Calli
Nicolas Lancret (French, 1690–1743) — Declaration of Love
François Boucher (French, 1703–1770) — Fountain of Venus
Giovanni Domenico Ferretti — Sketch for a Ceiling Fresco
Gaetano Gandolfi — The Sacrifice of Iphigenia
Jacob de Wit — Jupiter, Disguised as Diana, Seducing the Nym
François Boucher — Shepherd's Idyll
Eglon van der Neer — Circe Punishes Glaucus by Turning Scyll