Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot studied painting in his native Lorraine before going to Italy. He worked first in Rome, and was later appointed to the Florentine court, where he made prints of their festivals and theatrical productions. He returned to Nancy in 1621, renowned as a printmaker of innovative technique. His oeuvre consists of more than 1,400 prints. Callot returned to this ambitious, cataclysmic subject, which he had treated in 1617, just before his death. It may reflect his horror at the plague that had taken his father's life in 1631, or his own battle with stomach cancer.
Be the first to share your thoughts.
Sign in to join the discussion.
Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot (French, 1592–1635) — The Temptation of Saint
Jacques Callot|Israël Henriet — The Temptation of St. Anthon
Daniel van den Bremden — The Triumphal Car of Prince Hendrik
Claude Gillot — Witches' Sabbath, within a nocturnal landsca
Cornelis Dusart — The Village Festival
Abraham van Diepenbeeck — Hell
Gerrit Lucasz van Schagen — Plundering a Large Farmhouse, pl
Jean Barbault|Louis Jean Desprez — The Triumph of Modern Art
Hendrick Goltzius|Anonymous, Netherlandish, 17th century — T
Claude Gillot — Est-ce un enchantment...
Gerrit de Heer — The Resting Gypsy Family in Front of a Ruin
Franz Joachim Beich — Maximilian Emanuel and the Bavarian Ar