Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Jean Duvet was a goldsmith in Dijon, France, before taking up engraving. The relationship between the goldsmith’s art and that of the engraver is easily observed in this image of the opening of the seventh seal, a dramatic apocalyptic event at the end of the Book of Revelation from the New Testament. Figures crowd onto the image’s surface as they might appear on a metal plaque. Working outside the primary printmaking centers of Northern Europe and Italy, Duvet had little access to other printmakers and probably learned to engrave by studying prints by other masters. This is evident in his reliance on compositional elements derived from Albrecht Dürer’s woodcut series The Apocalypse .
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Jean Duvet — The Opening of the Seventh Seal, from the Apoca
Jean Duvet — Saint Michael and the Dragon, from the Apocalyp
Jean Duvet — The Angel Gives Saint John the Book to Eat, fro
Jean Duvet — The Angel Calling the Birds
Matteo di Giovanni (Italian, c. 1435–1495) — The Conversion
Jean Duvet — Four Angels holding back the Winds, from the Ap
Jean Duvet — Saint John Summoned to Heaven, from the Apocaly
Jean Duvet — Opening of the Sixth Seal
Albrecht Dürer — St. John before God and the Elders, from Th
Albrecht Dürer — The Seven Angels with the Trumpets, from "T
Albrecht Dürer (German, 1471–1528) — Revelation of St. John:
Michel Wolgemut — The Fall of Lucifer and the Rebel Angels (