Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s. Their drawing styles are similar, and this sheet was once attributed to Vouet. However, the airy, floating drapery, firm contour lines, and regular parallel hatching lines are all typical of Dorigny's technique in black chalk. Although we do not know of a painting to which this drawing relates, the flying angels indicate that Dorigny had a religious subject in mind when he drew them.
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Master with the Name of Jesus — St. Nicholas of Bari
Andrea Schiavone (Andrea Meldola) — Holy Family with Saints
Anonymous, Italian, Roman-Bolognese, 17th century — Figures 
Anonymous, Italian, 16th century|Parmigianino (Girolamo Fran
Giovanni Battista Tiepolo — Marine Deity with Attendant Fema
Anonymous, German, 19th century|Anonymous, Italian, Bolognes
Anthonis Sallaert (Flemish, c. 1590–1658) — A Scene from Cla
Andrea Locatelli (Italian, 1695–1741) — Triumphal Arch and F
Gabriel de Saint-Aubin (French, 1724–1780) — Lingerie Boutiq
Anonymous, Italian, 16th century — Young Soldier Showing a H
Andrea Locatelli (Italian, 1695–1741) — Figures Near the Rui
Anonymous, Italian, Roman-Bolognese, 17th century — Scene wi
