Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s. Their drawing styles are similar, and this sheet was once attributed to Vouet. However, the airy, floating drapery, firm contour lines, and regular parallel hatching lines are all typical of Dorigny's technique in black chalk. Although we do not know of a painting to which this drawing relates, the flying angels indicate that Dorigny had a religious subject in mind when he drew them.
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Anonymous — Apollo Flaying Marsyas (recto); Two Sketches of 
Pietro da Cortona (Italian, 1596–1669) — Lot and His Daughte
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Giovanni Battista Piazzetta (Italian, 1682–1754) — A Flying 
Massimo Stanzione (Italian, 1585–1656) — The Seven Archangel
Niccolo dell' Abbate (Italian, c. 1512–1571) — Allegorical F
Grégoire Huret (French, 1606–1670) — Allegory in Honor of Cl
Anonymous, Italian, 16th to 17th century|Parmigianino (GirolFrançois Perrier|Parmigianino (Girolamo Francesco Maria Mazz
Romanino (Italian, 1484/87–1562) — Romulus and Remus Found b
Perino del Vaga (Italian, 1501–1547) — Poros Assailed by the
Marco Angolo del Moro — Mars and Venus
