Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Although recipes for etching iron and steel are recorded at least as early as 1400, scholars have been unable to show that armor designs were etched in Italy or Germany before the end of the 15th century. As early as 1500 iron plates were also used to make prints, probably first in Augsburg, Germany, in the workshop of Daniel Hopfer. Etching allows the artist to draw freely on the plate and so is less laborious than engraving. Because of the acid then available, only iron or steel plates could be used and these rusted. For this reason only a small number of etchings were made (including six by Albrecht Dürer) until about 1550, when the technical difficulties of using copper plates had been overcome.
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Lucas Cranach (German, 1472–1553) — The Passion: Crucifixio
Jean Duvet (French, 1485–1561) — The Apocalypse: The Angel
Master of Saint Michael|Bernard van Orley — The Resurrection
Jean Duvet (French, 1485–1561) — The Apocalypse: Four Angel
Master of the Die — The conversion of the Centurion who flin
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Hendrick Goltzius — Christ on the Cross, from The Passion
Martin Schongauer (German, c. 1450–1491) — The Passion: Chri
Jean Duvet — The Deposition
Hans Burgkmair — The Crucifixion
Albrecht Dürer (German, 1471–1528) — Revelation of St. John: