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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
John’s vision from Revelation 13 pits the Lamb of God against a seven-headed, ten-horned apocalyptic beast of epic proportions. While an angel runs interference to warn the credulous earthly population against worshipping the beast, it is only the true believers in Christ who will survive. Duvet’s dense composition of quivering scales and genuflecting masses breaks open only at the top to reveal the true Christian sacrificial symbol, the Lamb. Bearing the attributes of the evangelist, this mild and just creature is both the apocalypse’s antithesis and antidote.
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Telman of Wesel — St. George Killing The Dragon
Albrecht Dürer — Knight, Death, and the Devil (copy)
Jean Duvet (French, 1485–1561) — The Apocalypse: The Beast
Albrecht Dürer — The Babylonian Whore, from "The Apocalypse"
Hieronymus Hopfer|Domenico Campagnola — Battle between caval
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Albrecht Dürer — The Four Avenging Angels of Euphrates, from
Michel Wolgemut — The Fall of Lucifer and the Rebel Angels (
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Hieronymous Hopfer — The Battle
Albrecht Dürer — The Four Avenging Angels, from "The Apocaly
Antonio Fantuzzi|Giulio Romano — A Battle