Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Zacharias Dolendo (Dutch, 1561–1604) — Passion Set: The Cru
Jacques Callot (French, 1592–1635) — The Mysteries of the Pa
Hans Holbein the Younger|Wenceslaus Hollar — Crucifixion
Jacques Callot|Israël Henriet — Jésus en Croix (Jesus on the
Jacob de Gheyn, II — Christ on the Cross between Two Thieves
Jacques Callot (French, 1592–1635) — The Martyrdom of the Ap
Rembrandt van Rijn (Dutch, 1606–1669) — Christ Crucfied Betw
Jacques Callot (French, 1592–1635) — The Martyrs of Japan
Hendrick Goltzius — Christ on the Cross, from The Passion
Master of the Die — The conversion of the Centurion who flin
Boetius Adams Bolswert — The Crucifixion (Coup de Lance)
Pehr Hörberg — The Crucifixion of Christ