Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Until Goya produced 19 etchings after 17th-century Velázquez paintings in 1778, the original compositions were little known. Goya’s copies reproduced all the prints in the same direction as the originals. He advertised the availability of this print and the Baltasar Carlos in the Gazeta de Madrid on Tuesday, December 22, 1788: “Two new prints one of which represents the Prince Don Baltasar Carlos on horseback, and the other a false Bacchus crowning some drunkards; paintings by Don Diego Velázquez extant in His Majesty’s Royal Palace, drawn and graved in etching by Don Franciso Goya, Painter.”
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Franc
Jusepe de Ribera — Drunken Silenus
Jean-Jacques Lagrenée — Sacrifice to the God Pan
Jusepe de Ribera — Silenus at the Wine Vat
Jan Saenredam — Plate Two, from Five Wise and Five Foolish V
Jan Saenredam — Homage Paid to Bacchus
Christian Wilhelm Ernst Dietrich — Satyr in a Peasant's Hous
Jacob Matham — Venus, Bacchus and Ceres
Joseph Marie Vien, I — Lot and His Daughters
Giulio Carpioni — Water, represented by a naiad seated at th
Giovanni Domenico Tiepolo — Armida Encounters the Sleeping R
Anonymous, Italian, Venetian, 18th century — Nymphs Adorning