Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Goya’s Caprices series scathingly attacks the hypocrisy and superstition the artist saw throughout contemporary Spanish culture. Glued to her dressing table mirror, the crone in this image sees only her fashionable trappings, not her wrinkled visage. In the background, young courtiers mock her futile vanity with shielded laughs and amused glances. And yet, though the shortsighted pathetic creature may have one foot in the grave, it is encased in an elegantly exposed stocking.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Francisco de Goya (Spanish, 1746–1828) — Until Death, Plate
Goya (Francisco de Goya y Lucientes) — Plate 55 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — Until Death, Plate
Goya (Francisco de Goya y Lucientes) — Plate 29 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — They've Already Got
Goya (Francisco de Goya y Lucientes) — Plate 35 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — No One Knows Himsel
Goya (Francisco de Goya y Lucientes) — A charlatan extractin
Goya (Francisco de Goya y Lucientes) — Plate 26 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 31 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 57 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Maja seated on a chai