Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
At a young age, Jacques Callot allegedly ran away from the provincial court of Nancy with a band of gypsies bound for Rome. From that moment on, exotic and dramatic figures held a fascination for him; his prints of fortune-tellers and performers established a tradition that reached its peak in the 18th century.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot (French, 1592–1635) — The Stopping Place: The
Jacques Callot|Anonymous — Copy of La Halte des Bohémiens: L
Jacques Callot|Anonymous — Copy of La Halte des Bohémiens: L
Wenceslaus Hollar|Augustin Braun — Adoration of the Kings
Giovanni Battista Tiepolo — Illustration for a Book: Keys o
Simon Frisius — The Adoration of the Magi, from Landscapes w
Simon Frisius — Healing of the Paralytic, from Landscapes wi
Claes Jansz. Visscher, II — Tent with Country People, from L
Claes Jansz. Visscher, II — Town Gate, from Landscapes (Play
Aegidius Sadeler, II — Farmhouses on the Right of a River, f
Stefano della Bella — Plate Four from Drawings of Several Mo
Jan van Goyen — Country Fair