Henri Charles Guérard

The Assault of the Shoe

1888
Etching, with open bite, in light red and black on cream laid paper
16.8 × 25.2 cm (6.6 × 9.9 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Henri Charles Guérard

An African Woman, after Eva GonzalèsAn African Woman, after Eva GonzalèsWhistlerWhistlerJames McNeill WhistlerJames McNeill WhistlerEffect of Moon at DieppeEffect of Moon at DieppeThe Basin at DieppeThe Basin at DieppeAt the Easel – Portrait of the Artist Jeanne GonzalèsAt the Easel – Portrait of the Artist Jeanne GonzalèsYoung Woman at an EaselYoung Woman at an EaselFanFan

More like this

Les CothurnesPierre-Louis Pierson|Unknown|Countess Virginia Oldoini VerasDesign for Three Reclined Reading Sofas with Trays, on Casters, Upholstered in Green and RedAnonymous, British, 19th century — Design for Three ReclinedCameo, No. 1 (Mother and Child)James McNeill Whistler (American, 1834–1903) — Cameo, No. 1 Cover for L'exemple de Ninon de Lenclos amoureuseHenri de Toulouse-Lautrec — Cover for L'exemple de Ninon de Standing Woman in Moroccan CostumeEugène Delacroix — Standing Woman in Moroccan CostumeCaricature of a Man declaring: "I'm against Hanover that's flat"George Townshend, 4th Viscount and 1st Marquess Townshend — Fortune TellerMariano Fortuny y Marsal — Fortune TellerThe Dancer Holoke-Go-ZenGiuseppe De Nittis — The Dancer Holoke-Go-ZenCameo, No. 1 (Mother and Child)James McNeill Whistler — Cameo, No. 1 (Mother and Child)Plate 25 from "La Tauromaquia": They loose dogs on the bullGoya (Francisco de Goya y Lucientes) — Plate 25 from "La TauStudy of LegsFrederic, Lord Leighton|Romain Cazes — Study of LegsDog PawsSawrey Gilpin — Dog Paws