Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Among a group of etchings Whistler made from a nude or partly draped model around 1890 was a pair entitled Cameo No. 1 and Cameo No. 2, showing a young mother playing with her child. Here, the mother leans over the child in an enclosed, protective gesture, perhaps whispering a lullaby. Whistler's treatment of the figure's robe, a semi-classical design based on Roman dress, captured the translucent qualities of the drapery which partly reveals and partly conceals the form beneath. Of this group, the artist's favorite etching was Cameo No. 1, and in 1893 he chose it to be exhibited among a selection of his prints at the Chicago World's Fair. American collectors, however, found Cameo No. 1 too risqué, and the artist was told it was unsalable because of "the thinness of the drapery."
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James McNeill Whistler — Cameo, No. 1 (Mother and Child)
James McNeill Whistler — La Danseuse: A Study of the Nude
James McNeill Whistler — Cameo, No. 1 (Mother and Child)
James McNeill Whistler — Binding the Hair
Micco Spadaro (Domenico Gargiulo) — Standing Draped Female F
James McNeill Whistler — Portrait of Miss Maud Franklin
James McNeill Whistler — Draped Model, Standing by a Sofa
James McNeill Whistler — Girl with a Bowl
James McNeill Whistler — Dancing Girl
James McNeill Whistler — Draped Model, Standing
James McNeill Whistler — Study
Giuseppe De Nittis — The Dancer Holoke-Go-Zen