● On view now — Gallery 206
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Here, Giovanni Girolamo Savoldo depicted the final moments in the life of Saint Peter Martyr, a 13th-century Dominican friar who was murdered by Cathar heretics whom he wished to reconvert to Catholicism. By choosing a three-quarter-length format, Savoldo focused attention on the contrasting emotional states of the serenely resigned saint and his elegantly brutish assailant. Savoldo lived in Venice but had ties to the city of Brescia in nearby Lombardy. He created a darkly poetic style by investing the Lombard artistic tradition of literal realism with the rich textural and atmospheric effects of Titian and other Venetian painters.
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Italian — Two Monks in a Landscape
Peter Paul Rubens — Saint Francis
Francisco José de Goya y Lucientes — Friar Pedro Wrests the
Francisco José de Goya y Lucientes — Friar Pedro Clubs El Ma
Francisco José de Goya y Lucientes — Friar Pedro Shoots El M
Giovanni Baglione — The Ecstasy of Saint Francis
El Greco (Domenikos Theotokopoulos) — Apparition of the Virg
Federico Barocci — Saint Francis
Lorenzo Lotto — Brother Gregorio Belo of Vicenza
El Greco (Domenikos Theotokopoulos) — Saint Francis and Brot
Scarsellino (Ippolito Scarsella) — The Virgin Adored by Sain
Andrea del Sarto (Italian, 1486–1530) — The Sacrifice of Isa