Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Francisco de Goya responded to the Peninsular War (1808–11) by creating over 80 etchings critiquing the cruelty and senseless violence that accompanies war. In this print, he depicted a historical event: Augustina of Aragon heroically defending Saragossa, taking over the cannon of her fallen comrades. Because she had already become a woman of legendary status when this print was made, Goya did not show Augustina’s face. Due to the oppressive policies of King Ferdinand VII, these prints were not published until 1863.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 7 from "The Dis
Goya (Francisco de Goya y Lucientes) — Plate 5 from "The Dis
Goya (Francisco de Goya y Lucientes) — Plate 4 from "The Dis
Goya (Francisco de Goya y Lucientes) — Plate 22 from "The Di
Mariano Fortuny y Marsal — Dead Kabyle
Goya (Francisco de Goya y Lucientes) — Plate 22 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Mariano Fortuny y Marsal — Arab Watching the Body of his Fri
Goya (Francisco de Goya y Lucientes) — Plate 6 from "The Dis
Goya (Francisco de Goya y Lucientes) — Plate 21 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 15 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 48 from "The Di