Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Gautier D’Agoty’s second son, Arnauld Éloi, advertised his relationship to the invention of printing in “natural colors” on the title page of his Complete Anatomy Course . This plate is the third of four views from that publication, which sequentially excavates the layers of a man’s front and back muscles. The book includes only one view of female anatomy (including the skin layer), and the text suggests that, as the subordinate gender, women were simply rounder versions of men. A brief discussion of female generative musculature reinforces the view that the anatomy of women was only important as it related to bearing children.
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Giulio Bonasone — Flayed man seen from the back, his right a
Jacques Fabien Gautier d'Agoty — Neck Muscles, plate three f
Benoît-Louis Prévost — Design: Mannequin, from Encyclopédie
Giulio Bonasone — Man seen from the Front, holding the Skin
Giulio Bonasone — Flayed man seen from behind, holding a rop
Giulio Bonasone — Man seen from the Back, holding a Skull in
Domenico del Barbiere — Two Flayed Men and Their Skeletons
Central Italian — Studies of the Leg of a Man and a Horse's
Circle of Cigoli — Flayed Man
Hendrick Goltzius — Mercurius, from Eight Pagan Gods
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Paul Cezanne — Academic Nude, Seen from the Back