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Jacques Fabien Gautier d'Agoty

Neck Muscles, plate three from Complete musculature in Natural Size and Color

1746
Color mezzotint with touches of engraving on cream laid paper, varnished
40 × 32 cm (15.7 × 12.6 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Gautier D’Agoty used specimens first prepared by the former court surgeon Joseph-Guichard Duverney (1648–1730) for this book of human musculature that combines drama and scientific accuracy. Gautier signed Duverney’s name on his completed mezzotint plates to acknowledge the surgeon as the inventor of these anatomical compositions. Duverney likely prepared the dissected specimens with wax both to intensify their color and increase their longevity. The varnish Gautier used to turn his prints into “printed paintings” increased surface durability while also heightening the color saturation. As a result, the tone of these muscles and the relief of the veins in the Cranium study are particularly striking.

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