Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Caprices , a series of 88 etchings produced by Goya between 1797 and 1799, forms a critical response to human vices and intolerances of the time. The monsters, which inhabit a familiar 17th-century landscape, are representations of the demons born from religion and power. The cast of miscreants is often depicted committing acts of evil. In this print a naked, plump witch is being carried away by a group of dark and nefarious creatures. Her cat anxiously holds on to a parasol as an owl between a pair of legs implausibly supports the entire misbegotten band.
Be the first to share your thoughts.
Sign in to join the discussion.
The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 65 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — Where is Mother Goi
Goya (Francisco de Goya y Lucientes) — Plate 70 from 'Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 63 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 51 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 66 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 70 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — Look How Solemn The
Goya (Francisco de Goya y Lucientes) — Plate 62 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — They Spruce Themsel
Francisco de Goya (Spanish, 1746–1828) — What One Does to An
Goya (Francisco de Goya y Lucientes) — Plate 77 from "Los Ca