● On view now — Collection Gallery, Room 02, North Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
During Cézanne's time, abandoned houses were common in the countryside of Provence due to the rules of inheritance, which distributed property equally among sons. Here Cézanne records specific details of the structure, like the thick crack on the facade that leads up to a small window. The relationship of the house to the surrounding wall is difficult to discern, particularly in the left-hand corner, where the perspective seems to shift. Such deliberate spatial ambiguities are typical of Cezanne's landscapes from this period.
Be the first to share your thoughts.
Sign in to join the discussion.
The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Paul Cezanne (French, 1839–1906) — The Pigeon Tower at Belle
Camille Pissarro — Garden in Full Sunlight (Le Jardin au gra
Alfred Sisley — The Road from Moret to Saint-Mammès
Pierre-Auguste Renoir — Autumn Landscape (Paysage d'automne)
Camille Pissarro — Landscape
Maurice Utrillo — Church with Red Roof and White Walls
Pierre-Auguste Renoir — Dovecote at Bellevue (Pigeonnier de
Paul Cezanne (French, 1839–1906) — The Brook
Paul Cezanne — Auvers, Panoramic View
Hercules Brabazon Brabazon — Ightham Mote, Kent