Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
As in the nearby Charlatan’s Show , Goya here depicted a member of the Roman Catholic clergy in a critical light. A frocked priest walks a tightrope to keep his congregation distracted from the richness of his attire and its disparity with their rags. With his arms spread to maintain balance, he looks like a swooping bird of prey.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 77 from "The Di
Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:
Goya (Francisco de Goya y Lucientes) — 'The Exhortations' fr
Goya (Francisco de Goya y Lucientes) — Plate 80 from "Los Ca
Goya (Francisco de Goya y Lucientes) — 'Cruel Folly', from t
Goya (Francisco de Goya y Lucientes) — Plate 42 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 34 from "The Di
Francisco de Goya (Spanish, 1746–1828) — It is Time, Plate 8
Francisco de Goya (Spanish, 1746–1828) — It is Time, Plate 8
Goya (Francisco de Goya y Lucientes) — Plate 52 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 46 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 9 from "The Dis