Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot peopled his lively etchings with clowns, beggars, and stock figures from the Italian Commedia dell’arte (the improvisational street theater of the day). Spectacles, theatrical attire, and awkward posture mark both of the foreground men as the Commedia’s elderly, miserly, and lecherous character type, called Pantalone. They appear in stark contrast to the elegant nobles dallying in the background.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot|Lorenzo de' Medici — Les Deux Pantalons se Re
Heinrich Aldegrever — The Rich Man Transported to Hell, from
Jacques Callot|Anonymous — Reverse Copy of Les Deux Pantalon
Wendel Dietterlin, the Younger — Procession of Monstrous Fig
Anonymous, Italian, 16th to early 17th century|Marco Dente —
Marco Dente — Two satyrs placing Silenus on a braying mule a
Heinrich Aldegrever — Copy of The Rich Man Transported to He
Jonas Umbach — Three satyrs carrying the drunken Silenus, pr
Jacques Callot|Lorenzo de' Medici — Les Deux Pantalons se Re
Pietro Testa|Giovanni Cesare Testa|Giovanni Giacomo De Rossi
Jacques Callot|Lorenzo de' Medici — La Ronde (The Round Danc
Marcantonio Raimondi — A satyr carrying a nymph on his back