Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The double-bodied creature in this scene likely represents duplicity; literally two-faced, even its feet point in multiple directions. The distorted group kneeling beside the figure suggests a critique of misguided worship. This print has also been associated with the Spanish proverb “she who is ill wed never misses a chance to say so,” implying the folly of matrimony.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — 'Disorderly Folly' fr
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Matr
Goya (Francisco de Goya y Lucientes) — 'The Exhortations' fr
Goya (Francisco de Goya y Lucientes) — 'Loyalty' from the 'D
Goya (Francisco de Goya y Lucientes) — 'General Folly' from
Goya (Francisco de Goya y Lucientes) — 'Loyalty' from the 'D
Goya (Francisco de Goya y Lucientes) — 'Poor Folly' from the
Goya (Francisco de Goya y Lucientes) — Plate 42 from "The Di
Goya (Francisco de Goya y Lucientes) — 'Folly of Fear' from
Goya (Francisco de Goya y Lucientes) — 'Dancing Giant' from
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Goya (Francisco de Goya y Lucientes) — 'Cruel Folly', from t