Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Once again Goya features a malicious group of haggard women, usually interpreted as witches. They rest before daybreak to take flight, with or without broomsticks. Despite their caricatured expressions, their interactions can still be universally understood. The most prominent witch signals which direction they will head once the sun rises. She will presumably drag the group of children tied to her waist with her for evil purposes. Not unlike Goya’s earlier Caprichos plates, the figures of the witches rely heavily on using line, while the velvety night sky and bright stars are created using aquatint.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 71 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — When Day Breaks We
Francisco de Goya (Spanish, 1746–1828) — When Day Breaks We
Goya (Francisco de Goya y Lucientes) — Plate 65 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 51 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 77 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 62 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 70 from 'Los Ca
Francisco de Goya (Spanish, 1746–1828) — They Spruce Themsel
Francisco de Goya (Spanish, 1746–1828) — Where is Mother Goi
Francisco de Goya (Spanish, 1746–1828) — What One Does to An
Goya (Francisco de Goya y Lucientes) — Plate 47 from "Los Ca