Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Wen Zhengming was one of the most celebrated calligraphers and painters during the Ming dynasty (1368–1644). His inscription, gracefully written in small characters on the upper left corner, reveals Wen’s emotional mood at that moment of creation. "In the fifteenth day of the fifth month, the year of xinhai [1551], [I], Zhengming, playfully write this Old Trees by a Wintry Brook at eighty-two [sui]." How should we understand a wintery landscape painted in the middle of spring? Was it simply inspired by a surprisingly late spring snow? Or can it be that the “wintery” brook reflects the octogenarian’s feelings about aging and his inevitable, approaching mortality? The junipers’ gnarled forms are a poignant symbol of aging and suffering, yet the ink-dot leaves on some branches suggest that the trees are still alive, awaiting the warmth of spring.
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Playing the Qin in a Secluded Valley
明 文徵明 樓居圖軸|Living Aloft: Master Liu's Retreat
明 文徵明 叢桂齋圖 卷|The Cassia Grove Studio
Untitled
明 文徵明 東林避暑圖 卷 |Summer retreat in the eastern grove
明 文徵明 拙政園圖詩 冊|Garden of the Inept Administrator
明 文徵明 松陰飛瀑圖 軸|Recluse playing the zither in a pine grove
Zhang Xiong (Chinese, 1803–1886) — Three Purities
Lan Ying — 明 藍瑛 仿宋元山水圖 冊|Landscapes after Song and Yuan mast
Ni Zan (Chinese, 1301–1374) — Bamboo, Rock, and Tall Tree
Kitao Shigemasa
Luo Zhichuan (Chinese, active 1280s–1320s) — Carrying a Qin
Dong Qichang — 明 董其昌 倣倪瓚山水圖 軸|Landscape with Trees in the
Hu Zhengyan — 明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Ba
Ren Yi (Ren Bonian) — 清 任頤 軸|Man on a Bridge
Zhai Dakun (Chinese, d. 1804) — Frosted Branches and Dwarf B
Wu Zhen — 元 吳鎮 老松圖 軸|Crooked Pine
Xie Shichen (Chinese, 1487–after 1567) — Clouds and Waves at
Hu Zhengyan — 明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo