Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Here the natural appearance of a gnarled and vine-entangled pine has been transformed into a rhythmic abstraction of brushstrokes and ink tonalities, with unifying opposites—opening and closing, rising and falling—that provide the design across the horizontal scroll. The artist's inscription reads: "The force of change beyond restraint; / The dragon's whiskers are likened to a forest of spears."
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Playing the Qin in a Secluded Valley
明 文徵明 樓居圖軸|Living Aloft: Master Liu's Retreat
明 文徵明 叢桂齋圖 卷|The Cassia Grove Studio
Untitled
明 文徵明 東林避暑圖 卷 |Summer retreat in the eastern grove
明 文徵明 拙政園圖詩 冊|Garden of the Inept Administrator
明 文徵明 松陰飛瀑圖 軸|Recluse playing the zither in a pine grove
Old Trees by a Wintry Brook
Wang Jun — 清 汪鋆 阮元遺事十景圖 冊|Ten Sites Associated with Ruan Y
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Chen Hongshou (Chinese, 1598/99–1652) — Paintings after Anci
Min Zhen (Chinese, 1730–after 1788) — Dragon amid Clouds
Kuwayama Gyokushū
Hu Zhengyan — 明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Ba
Japan — Fukusa (Gift Cover)
Min Zhen (Chinese, 1730–after 1788) — Banana Plants
Branching Stump
Hu Zhengyan — 明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo