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Francisco José de Goya y Lucientes

Even Worse, plate 22 from The Disasters of War

1810, published 1863
Etching, lavis and burin on ivory wove paper with gilt edges
12.3 × 19.8 cm (4.8 × 7.8 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Many in Francisco de Goya’s coterie were afrancesados (supporters of French rule in Spain). They believed that Spanish politics could not be reformed without Napoleonic intervention. Not surprisingly, Goya never publicly declared where he stood in the fray; as a court painter, he needed a court to paint and thus it was pragmatic of him to remain noncommittal during this uncertain time. The artist’s ambivalence shows in his Disasters of War series. He generalized atrocities by both the French and Spanish, portraying them as physically interchangeable, equating their sins, and leaving their bodies unidentified.

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