● On view now — Collection Gallery, Main Room, North Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Rather than depicting a recognizable site or a spectacular view, as had been the tradition in French landscape painting, here Cézanne focused on an ordinary tree next to a road. Trees appear frequently in Cézanne's work, sometimes as framing devices for a view into the distance, but more often as the main subject. Scraggly branches reach across this canvas as distant foliage is abstracted into a screen of broad, flat marks. Cézanne probably painted this scene on or near his family's property outside of Aix-en-Provence.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Pierre-Auguste Renoir — Autumn Landscape (Paysage d'automne)
Paul Cezanne (French, 1839–1906) — Mount Sainte-Victoire
Paul Cezanne (French, 1839–1906) — The Brook
Alfred Maurer — Tree and Rock
Pierre-Auguste Renoir — Landscape (Paysage)
Paul Cezanne — Pistachio Tree at Château Noir
Paul Cezanne (French, 1839–1906) — The Pigeon Tower at Belle
Henri Matisse — The Sea Seen from Collioure (La Mer vue de C
Alphonse Stengelin — Bos met berkebomen