In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
Beginning around 1877, Cézanne began to experiment with an exaggerated horizontal format for his still-life painting. Almost twice as wide as it is tall, the present canvas comfortably accommodates the expanse of the oblong-shaped plate and the compote of preserves on the side. The curves of the plate, jar, and fruit are counterbalanced by the straight lines of the quatrefoil-patterned wallpaper. The broad brushwork returns to Cézanne's earlier, heavier form of facture. Simple, spare, and small, the painting may allude to the modest reputation of the still-life genre.
Be the first to share your thoughts.
Sign in to join the discussion.
Pierre-Auguste Renoir — Pomegranate and Figs (Grenade et fig
Émile Bernard — Still Life with Fruit
Johann Wilhelm von Tscharner — Stillleben mit Äpfeln und Bir
Henri Matisse — Nature morte aux fruits
Pierre-Auguste Renoir — Pears (Poires)
Paul Cezanne — Still Life with Apples and Peaches
Paula Modersohn-Becker — Still-Life with Yellow Bowl and Ear
Pierre-Auguste Renoir — Apple and Pear (Pomme et poire)
Alexej von Jawlensky — Still Life with Flowers and Fruit
Paul Sérusier — Still Life with Bottle and Fruit
Suzanne Valadon — Nature morte
Paul Cezanne — Still Life with Milk Jug and Fruit
