Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this etching a flock of vulturelike creatures—animal-human hybrids— feasts on the body of a moribund victim, symbolizing the consequences of the war for Spain after the restoration of the monarchy.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 72 from "The Di
Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:
Goya (Francisco de Goya y Lucientes) — Plate 71 from "The Di
Francisco de Goya (Spanish, 1746–1828) — Tale-Bearers - Blas
Goya (Francisco de Goya y Lucientes) — Plate 48 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 26 from "The D
Goya (Francisco de Goya y Lucientes) — Plate 69 from "The D
Goya (Francisco de Goya y Lucientes) — Plate 69 from "The Di
Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:
Goya (Francisco de Goya y Lucientes) — Plate 40 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 16 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 51 from "Los Ca