Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this etching Goya did not merely suggest the bestial behavior of the clergy, as in the other Disasters of War prints nearby. Going beyond masks and dramatic poses, here the artist depicted a fox or a wolf signing a document reading “Miserable humanity, the fault is yours,” assigning the blame for the world’s sad state to the church by handing the sheet to the tonsured friar in front of him. Propaganda images visually equating priests with hungry wolves are known from as early as the 16th-century German Protestant Reformation, an approach Goya drew on here.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 74 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 55 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 20 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 65 from "The D
Goya (Francisco de Goya y Lucientes) — Plate 42 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 45 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 52 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 23 from "The Di