Japan

Kesa

Edo period (1615–1868), Late 18th century
Silk, gilt-paper-strip-wrapped silk, and peacock-feather-wrapped silk; tapestry weave
117.4 × 206.5 cm (46.2 × 81.3 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

During the Edo period, artists took liberties with some of the long-established traditions related to kesa. For example, the patchwork process was sometimes ignored in favor of a single uncut fabric with seams implied by inwoven lines or added cording. The preferred technique for these uncut pictorial panels was tapestry weave. In this example, which is particularly Chinese in style and subject, no such lines have been added, suggesting it was used as a hanging for meditation purposes in the monastery.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Japan

Asakurajô (Old Man Asakura) Noh maskAsakurajô (Old Man Asakura) Noh maskFurisodeFurisodeFukusa (Gift Cover)Fukusa (Gift Cover)Flowers of All SeasonsFlowers of All SeasonsFurisodeFurisodeAtsuita Karaori (Noh Costume)Atsuita Karaori (Noh Costume)Uchikake (Over Kimono)Uchikake (Over Kimono)Panel (Intended for a Kimono)Panel (Intended for a Kimono)

More like this

Panel (For a Screen)China — Panel (For a Screen)Artwork舞楽図巻|Bugaku Imperial Court Dance舞楽図巻|Bugaku Imperial Court DanceFamous Views of ŌmiFamous Views of ŌmiSleeve bandHan-Chinese — Sleeve bandPanel (Dress Fabric)Manchu — Panel (Dress Fabric)Panel (For a Screen)China — Panel (For a Screen)Panel (For a Screen)China — Panel (For a Screen)Panel (For a Screen)China — Panel (For a Screen)Famous Views of ŌmiFamous Views of ŌmiPanel (For a Screen)China — Panel (For a Screen)School of FishSoga Shohaku — School of Fish