● On view now — Collection Gallery, Room 21, South Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
This painting is part of a series of reclining nude figures that Modigliani began in 1917. Characterized by a frank, self-conscious sexuality, these paintings shocked contemporary audiences; police removed one from an exhibition in Paris for perceived impropriety. Also shocking was Modigliani's mixing together of several traditions across a single figure: while the masklike treatment of the face draws on the vocabularies of African sculpture, the languorous, sensual body recalls the nudes of European painters like Titian and Boucher.
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Portrait of the Red-Headed Woman (Portrait de la femme rouss
Young Woman in Blue (Giovane donna in azzurro)
Cypresses and Houses at Cagnes (Cyprès et maisons à Cagnes)
Beatrice (Portrait de Béatrice Hastings)
Portrait of a Woman
Girl with a Polka-Dot Blouse (Jeune fille au corsage à pois)
Boy in Sailor Suit
The Pretty Housewife (La Jolie ménagère)
Henri Matisse — Reclining Nude with Blue Eyes (Nu couché aux
Henri Matisse — Nude on a Blue Couch (Nu au divan bleu)
John Singer Sargent — Life Study (Study of an Egyptian Girl)
Pierre-Auguste Renoir — Splashing Figure (Study for "The Lar
Jules Pascin — Nude and Books (Nu et livres)
Pierre-Auguste Renoir — Nude Woman Reclining (Femme nue couc
Jules Pascin — Nude Seated on Hassock (Nu assis sur un pouf)
André Derain — Nude
John Sloan — Nude, Green Scarf
Jules Pascin — Two Nudes–One Standing, One Sitting
Henri Matisse — Le Bonheur de vivre, also called The Joy of