● On view now — Collection Gallery, Room 02, East Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Skulls appear frequently in the European still-life tradition, serving as reminders of the fleetingness of life. Cézanne tended to avoid such props, however, favoring more ordinary household items like napkins, fruit, and ceramic vessels. It wasn't until the last decade of his life that Cézanne began to include skulls with some regularity—perhaps reflecting a preoccupation with his own mortality. The smudges of orange paint across the eye socket are probably the result of this canvas leaning against another in his Aix-en-Provence studio.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Paul Cezanne — The Basket of Apples
Paul Cezanne — The Plate of Apples
Paul Gauguin — Still Life
Paul Cezanne — The Three Skulls
Pierre-Auguste Renoir — Apple and Pear (Pomme et poire)
Paul Cezanne — The Vase of Tulips
Paul Gauguin — Still Life with Teapot and Fruit
Claude Monet — Apples and Grapes
Pierre-Auguste Renoir — Pears (Poires)