Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This group of leering figures in masks refers to the Roman Catholic festival Carnival, which (then, as now) precedes the more contemplative season of Lent. Goya used the common proverb of the title to compare the festival’s unsustainable indulgence and ritual pomp with the fate of Catholicism itself. In his art Goya frequently criticized the hypocrisy of the Spanish national religion, specifically its clergy. Both his Proverbs series and the Disasters of War , several etchings of which are also on view in this gallery, were published after his death.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — 'Carnival Folly' from
Goya (Francisco de Goya y Lucientes) — 'Loyalty' from the 'D
Goya (Francisco de Goya y Lucientes) — 'Carnival Folly' from
Goya (Francisco de Goya y Lucientes) — 'Loyalty' from the 'D
Goya (Francisco de Goya y Lucientes) — Plate 42 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 47 from "The Di
Goya (Francisco de Goya y Lucientes) — 'Merry Folly' from th
Goya (Francisco de Goya y Lucientes) — Plate 9 from "The Dis
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Goya (Francisco de Goya y Lucientes) — 'Merry Folly' from th
Goya (Francisco de Goya y Lucientes) — Plate 44 from "The Di
Goya (Francisco de Goya y Lucientes) — 'Cruel Folly', from t