Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Throughout his career, Salviati produced drawings for various purposes and in a variety of media that display artifice and stylistic f lair. This sheet is notable for its deftly applied brown wash, including thick strokes, quick accents, and sinuous contours. The result is eloquently pictorial, which suggests that Salviati may have intended it as an independent work of art. Salviati’s bravura graphic performance is matched by his deft interpretation of the subject, especially in the balletic pose of the young soldier balanced on one foot as he gingerly lifts the curtain.
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Carlo Rimbotti (1518–1591)
Portrait of a Man
After the Antique: Roman Officiant at a Sacrificial Altar
St. George and the Dragon
Virgin and Child with Saint Anne and John the Baptist
Seated Male Nude
Jupiter and Io (recto); sketch of a male figure stabbing him
Seated Nude Youth, facing left (recto); Bearded Nude Male Fi
Hendrick Goltzius — Horatius Cocles, from The Roman Heroes
Raphael — Guard Drawing His Sword
Hendrick Goltzius — Mucius Scaevola, from The Roman Heroes
Hendrick Goltzius — Mucius Scaevola, from "The Roman Heroes"
Hendrick Goltzius — Horatius Cocles, from "The Roman Heroes"
Hans Schäufelein — Landsknecht
Jacques de Gheyn II|Zacharias Dolendo — War, from Virtues an
Peter Paul Rubens|Willem Panneels — The Martyrdom of Saint S
Gaetano Gandolfi — Joshua
Jacques de Gheyn II|Karel van Mander I|Jan Pitten — Simeon,
Melchior Lorck (Danish, 1526/27–after 1588) — Crucified Man
Jan de Bisschop — Study after The Dying Gaul Killing His Wif