Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The young woman kneeling in the foreground, holding a branch with leaves and flowers, is Pomona, the Roman nymph of apples and orchards. The young man shown in profile to her immediate right is Vertumnus, the Proteus-like god who symbolized the passing of the seasons. The tapestry is part of a Story of Vertumnus and Pomona suite that is based on the mythological tale Ovid described in the Metamorphoses . According to the story, Vertumnus was in love with the beautiful Pomona, who was devoted to gardening and uninterested in courtship. He tried to woo her, at first in vain, but eventually won her heart. The tapestry is the first scene of five and depicts Pomona’s disinterest in all the various suitors shown. The series to which this piece belongs is the earliest surviving narrative ensemble illustrating the entirety of Ovid’s tale.
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Hans Bol — Diana and Her Nymphs with the Ox Hunt
Michiel Coxcie, I — The Diversion of the Euphrates, from The
Erasmus de Pannemaker, I — Pluto and Proserpina with Falconr
Jan van Tiegen — The Meeting of Jacob and Rebecca, and Isaac
Michiel Coxcie, I — Cyrus Defeats Spargapises, from The Stor
Flanders, possibly Tournai — Alexander Encounters Thalestris
Follower of Bernard van Orley — October
France, possibly Aubusson — Apollo Exposing Mars and Venus t
Wauters Workshop — Orpheus Playing the Lyre to Hades and Per
Nicolas Prévost|Anonymous, French, 16th century — The Tempta
Nicolò Boldrini — The Milkmaid
Jacques Geubels, I — Venus and Adonis (?) with the Duck Hunt