DISCOVERART

Bernard van Orley

July

before 1528
Wool and silk, slit and double interlocking tapestry weave. Warp: Count: varies from 8 to 10 warps per cm; wool; S-ply of six Z-spun elements; diameters: 0.4–0.7 mm Weft: Count: varies from 22 to 44 wefts per cm; wool: S-ply of two Z-spun elements; S-ply of three Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.2–1.0 mm; silk; pairs of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted elements; diameters; 0.15–0.5 mm
399.7 × 448.3 cm (157.4 × 176.5 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

This tapestry and its companion, February , belong to the earliest of the four Medallion Months suites known today. The 12 months of the year were an extremely popular subject for tapestry cycles. In this particular series, each hanging has a rectangular, vertical format; a central mythological figure; an oval band depicting the signs of the zodiac, personifications of the hours, and other symbols of the passage of time; as well as figural compositions outside the medallion, in the four corners of the tapestry. The zodiac sign Leo at the top of the medallion band, with the inscription JVLIVS (July) below, reveals this tapestry’s subject. The inscription RVMANA CONCINE appears on either side of the central deity, identifying her as Runcina, goddess of mowing and harvesting. The grotesque figures outside the medallion personify diseases believed to be caused by the star Sirius, which appears during the canicula , or dog days, of summer.

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