FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Guilloux’s The Deluge appeared in the famous L’Estampe Originale, a series of nine albums of original prints published in Paris between 1893 and 1895, representing the pinnacle of fin-de-siècle printmaking. The albums included numerous landscapes by masters of the genre, including Camille Pissarro, Charles Dulac, Henri Rivière, and Joseph Pennell (all in this exhibition). In The Deluge, drenched poplar trees are reflected in shimmering pools of water. Guilloux incorporated the aesthetic of Art Nouveau into his entirely original, stylized landscapes.
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Frank Morley Fletcher (British, 1866–1949) — Wiston River
Arthur Wesley Dow (American, 1857–1922) — Dragon and Orchard
Arthur Wesley Dow (American, 1857–1922) — The Long Road or A
Adolf Zdrazila (Czech, 1868–1942) — Lillte Sea
Alphonse Legros (French, 1837–1911) — Evening
Henry Farrer — Autumn's Grey and Melancholy
Maxime Maufra|André Marty — The Road from Gaud (La Route de 
Hugo Burghel (German, 1853–1903) — Hoher Gull
Arthur Wesley Dow (American, 1857–1922) — Moonrise
Georges Godin (French) — The Yellow Evening 
Katsushika Hokusai — 葛飾北斎画 燕子花|Grasshopper and Iris
Edward Louis Laurenson (British, 1868–1940) — Stopham Bridge