Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Guilloux’s The Deluge appeared in the famous L’Estampe Originale, a series of nine albums of original prints published in Paris between 1893 and 1895, representing the pinnacle of fin-de-siècle printmaking. The albums included numerous landscapes by masters of the genre, including Camille Pissarro, Charles Dulac, Henri Rivière, and Joseph Pennell (all in this exhibition). In The Deluge, drenched poplar trees are reflected in shimmering pools of water. Guilloux incorporated the aesthetic of Art Nouveau into his entirely original, stylized landscapes.
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Frank Morley Fletcher (British, 1866–1949) — Wiston River
Arthur Wesley Dow (American, 1857–1922) — Dragon and Orchard
Arthur Wesley Dow (American, 1857–1922) — The Long Road or A
Adolf Zdrazila (Czech, 1868–1942) — Lillte Sea
Katsushika Hokusai — Lake Hakone in Sagami Province (Soshu H
Alphonse Legros (French, 1837–1911) — Evening
Henry Farrer — Autumn's Grey and Melancholy
Maxime Maufra|André Marty — The Road from Gaud (La Route de
Theodore Roussel — The Sea at Bognor
Hugo Burghel (German, 1853–1903) — Hoher Gull
Arthur Wesley Dow (American, 1857–1922) — Moonrise
Piet Mondrian — Landzicht Farm: Compositional Study