FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
At the end of the 19th century, Godin made a small group of luminous color landscapes in aquatint which verge upon the abstract. Moody and evocative, this landscape is suggestive rather than descriptive of any precise locale. Flat passages of deep green and brilliant yellow reveal the influence of Japanese color woodcuts, beloved by French artists of the period. In both subject and technique, The Yellow Evening is a quintessential fin-de-siècle vision of the landscape.
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Camille Corot|Charles-Paul Desavary — The Woods of the Hermi
Anonymous — Cloud Study
Henri-Joseph Harpignies — Moonlit Landscape
Anton Melbye — Coastal Landscape
Alphonse Legros (French, 1837–1911) — The Road to Horville
Arthur Wesley Dow (American, 1857–1922) — The Long Road or A
Félix Hilaire Buhot (French, 1847–1898) — Fisherman's thatch
Elbridge Kingsley (American, 1841–1915) — A Morning
Jean Baptiste Camille Corot (French, 1796–1875) — Landscape 
Jean Baptiste Camille Corot (French, 1796–1875) — Group of T
Carl Rottmann — Landscape
David Young Cameron (British, 1865–1945) — Valley of the Tay