● On view now — Collection Gallery, Room 14, North Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Parrots and parakeets have long been highly prized collector's items in Europe, and over the centuries artists have used the birds to evoke symbolic connotations ranging from virginity, during the Renaissance, to surrogate lovers, during the 19th century. Cézanne was no doubt aware of the theme's art historical lineage and the contemporary portrayals by his peers. His first representations of this subject date to the 1860s, and like the present canvas, draw on Dutch engravings for inspiration. According to Cézanne's son, Paul, Girl with Birdcage was intended as a gift for the artist's pious younger sister, Marie, who was attended religious services every day.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Jacob Maris — Girl with a Peacock Feather
Arthur Davies — Flora
Henry Wolf (American, 1852–1916) — Miss Alexander
Edgar Degas — Dancer with a Fan
Constantin Guys (French, 1805–1892) — Woman in a Blue Dress
Pablo Picasso — Woman Seated on Striped Floor
Pierre-Auguste Renoir — The Source (La Source)
Pierre-Auguste Renoir — Sketch of a Woman (Esquisse de femme
James McNeill Whistler (American, 1834–1903) — Weary
Célestin François Nanteuil (French, 1813–1873) — On the Balc
Henry Wolf (American, 1852–1916) — Beatrice Goelet
Pierre-Auguste Renoir — Promenade (La Promenade)