Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Julius Schnorr von Carolsfeld became a member of the Nazarene Brotherhood in Rome at an early age and adopted their historicizing linearity and interest in Renaissance artists Raphael and Albrecht Dürer. King Ludwig I of Bavaria, an enthusiastic promoter of German national culture, commissioned Schnorr von Carolsfeld to paint fresco murals of scenes from German history for his royal residence. This monumental study for the Charlemagne room depicts the emperor defeating the Saxon leader Wittekind at Fritzlar near Bürberg, which occurred in the eighth century. Placed before the Bürberg church and flanked by angels, Charlemagne is depicted as the protector and patron of the Christian state.
Be the first to share your thoughts.
Sign in to join the discussion.
Portrait of a Woman
The Entrance of Charlemagne into Pavia
Melchizedek Blessing Abraham
View across the Moat towards the Thomasschule and the Thomas
The Martyrdom of the seven brothers; verso: Sketch of two me
Study of a Standing Nude Youth
Study of a Male Figure
The Nibelungen's End - The Death of Kriemhild
Francesco Salviati — Cavalry Skirmish (recto); Kneeling Ecor
Luca Penni — Battle before Troy
Unknown Veronese — Battle between Romans and Barbarians
Giovanni Jacopo Caraglio — The Battle around the Shield and
Orazio Farinati|Paolo Farinati|Gaspare dall'Oglio — The Cros
Schelte Adamsz. Bolswert — The Lion Hunt
Master of the Die — The Victory of Scipion over Syphax
Joachim Beuckelaer — Execution of the Five Kings of the Amor
Schelte Adamsz. Bolswert — The Conversion of Saint Paul
Willem van Mieris — Massacre of the Innocents
Domenico Campagnola — Battle Scene with Horses and Men
Johann Heintz — Battle of the Milvian Bridge