Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Julius Schnorr von Carolsfeld’s Nibelungen’s End—the Death of Kriemhild is one of several studies for an extensive fresco cycle for King Ludwig I of Bavaria’s Royal Palace in Munich. Ludwig’s prominent commission had a nationalistic bent and revived medieval German historical literature. The medieval Nibelungen poem centered on a female character, in this case the powerfully vengeful Kriemhild, and was adapted into an opera. Indeed, Richard Wagner started his Ring Cycle in 1848, three years after the date of this dramatic drawing.
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Anton Romako (Austrian, 1832–1889) — Singers' Contest on the
Domenichino — Saint Cecilia Distributing Alms to the Poor
Willem van Swanenburgh — Beheading of the Roman Judge Papini
Annibale Carracci (Italian, c. 1560–1609) — Copy of Annibale
Joachim Wtewael|Willem van Swanenburg|Christoffel van Sichem
Pomponio Amalteo — Susannah and the Elders before Daniel
Willem van Swanenburgh — Judgment of Solomon, plate 2 from T
François Boitard — Sacrifice of Jeptha's Daughter
Domenico Campagnola — Female figure (Saint Catherine?) kneel
Willem van Swanenburgh — Allegory of Justice, Sanctity of La
Caspar von Fraisinger — Christ Falling Under the Cross
Willem van Swanenburg|Christoffel van Sichem II|Joachim Wtew