Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Amidst the chaos of battle, a shield and lance rest quietly in the foreground. These icons of military prowess are surrounded by bucking horses, falling soldiers, and spears. It is ironic that Giovanni Jacopo Caraglio chose to depict the Romans as skilled cavalrymen, since the cavalry was the weakest part of the Roman army until the late Imperial Period (A.D. 3rd/4th century). The inscription at the bottom of the engraving attributes the design for this print to Raphael; it may preserve a rejected idea for his Battle for the Milvian Bridge in the Sala di Costantino in the Vatican, Rome.
Be the first to share your thoughts.
Sign in to join the discussion.
Master of the Die — The Victory of Scipion over Syphax
Schelte Adamsz. Bolswert — The Conversion of Saint Paul
Luca Penni|Jean Mignon — Christ Carrying of the Cross
Schelte Adamsz. Bolswert — The Lion Hunt
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
Léon Davent|Giulio Romano — Achilles Removing Patroclus' Bod
Nicolas Beatrizet|Nicolas Beatrizet — Speculum Romanae Magni
Anonymous, School of Fontainebleau|Giulio Romano — Battle ar
Master of the Die|Philippe Thomassin — The victory of Scipio
Etienne Delaune (French, 1518/19-c. 1583) — Combats and Triu
Etienne Delaune (French, 1518/19-c. 1583) — Combats and Triu
Marco Dente|Giulio Romano — Battle with a Cutlass