Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Rutilio Manetti|Saint Bernardino of Siena|Bernardino Capitel
Laurent de La Hyre — Raising of Lazarus
Pier Francesco Mola — Joseph and his Brethren
Jacques Callot (French, 1592–1635) — The Mysteries of the Pa
Master H.E. — The Adoration of the Shepherds
Circle of Giovanni Battista Pittoni, the younger — King Sol
Jacopo Palma il Giovane (Italian, c. 1548–1628) — The Nativi
Jacques Callot (French, 1592–1635) — The Martyrdom of the Ap
Sébastien Bourdon — The Adoration of the Shepherds
Jacob Matham — The Adoration of the Shepherds
Jacob Matham — Christ Raising the Son of the Widow of Nain
Girolamo Pennacchi, the Younger — Adoration of the Shepherds