Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Andrea Mantegna’s adoption of ancient Roman motifs contributed to their prominence during the Italian Renaissance, especially when translated into widely circulating and frequently copied engravings. Mantegna’s oblong bacchanalian subjects particularly extol the wonders of the god of wine as well as the excesses of his entourage. Indeed, in this print of a procession-like grouping of figures, Dionysos’s portly, inebriated sidekick Silenos receives mock preferential treatment as he is lifted by satyrs and crowned with grapevines. The drunken satyrs, nymphs, and humans sing, make music, and grapple with unwieldy flesh as they cross a pool of wine and press on through the vineyard.
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Giovanni Antonio da Brescia (Italian) — Bacchanal with Silen
Andrea Mantegna (Italian, about 1431–1506) — Bacchanal with
Andrea Mantegna (Italian, about 1431–1506) — Bacchanal with
Lambert Lombard — Frieze of Satyrs Wearing Lion Skins and Pl
Julien de Parme — Funeral Procession of the Young Pallas, Ae
Joshua Cristall — Battle of Lapiths and Centaurs
Antonio Pollaiuolo — Battle of the Naked Men
Daniel Hopfer, I — The Bacchanal with a Wine Vat
Giovanni Antonio da Pordenone — Acrobats Performing Before a
Giulio Sanuto — Bacchanal
Unknown artist — Martyrdom of Two Saints
Unknown artist — Group of Figures