Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Giovanni Battista Tiepolo — Illustration for a Book: Meetin
Antonio Tempesta|Otto van Veen — Plate 10: Civilis using Mov
Imitator of Jacques Courtois — Cavalry and Artillery Battle
Giovanni Battista Tiepolo — Illustration for a Book: Siege
Gerrit Lucasz van Schagen — Recruitment of Troops, plate two
Stefano della Bella — Plate Six, from Entrance of the Ambass
Jacques Callot|Israël Henriet — L'Enrolement des Troupes (Th
Salvator Rosa — The death of Marcus Atilius Regulus, showng
Stefano della Bella — Plate One from Various Embarkments
Bartolomeo Fenice (Fénis)|Domenico Gamberti — Francesco I d'
Jacques Callot (French, 1592–1635) — The Martyrdom of the Ap
Antonio Tempesta — Plate 11: Illustration to Canto XI, from