● On view now — Collection Gallery, Room 05, North Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
A flayed rabbit lies splayed on a white cloth, its clouded eye just visible. Soutine has given us a bird's-eye view of its innards and musculoskeletal system and—perhaps most affectingly—of its furry hind feet, still intact, that preserve the memory of the living, hopping animal. Here, Soutine transformed his studies of Old Master still lives (particularly by Rembrandt, albeit enhanced with new material from local butchers) into a suffocating, visionary realism.
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Landscape with House and Tree (Paysage avec maison et arbre)
Winding Road, Near Gréolières (La Route montante, vers Gréol
Bouquet of Flowers (Bouquet de fleurs)
Red Church (L'Église rouge)
Landscape with White Building (Paysage avec maison blanche)
Landscape with Houses (Paysage avec maisons)
Landscape of the South of France (Paysage du Midi)
Landscape with Figure (Paysage avec figure)
Chaïm Soutine (Russian, 1893–1943) — Still Life with Rayfish
Jean Louis Forain (French, 1852–1931) — The Suicide
Pablo Picasso — Standing Nude in Front of a Red Arch
Amedeo Modigliani — Pink Nude—Caryatid (recto); Caryatid (ve
Jozef Israëls — Saul's Legs
Jules Pascin — Nude and Books (Nu et livres)
Jozef Israëls — Saul
Gustave Caillebotte — Calf's Head and Ox Tongue
Georges Rouault — Two Ballet Girls
George Bellows (American, 1882–1925) — Man on his Back, Nude
Jozef Israëls — David's Legs